art by Phinque

Meet The Artist

Karen Fullerton, M.B.A., B.S.

Inspired by my Japanese teacher of clothing design, I was drawn to the serene beauty of Asian art.  Instruction in Ikebana (Japanese flower arranging) provided a basis in the principles of Asian design and composition as I began studying Japanese sumi-e, Chinese xie yi  brushpainting and Chinese calligraphy. 

Before retiring, I worked as a financial officer in high tech companies while practicing my artwork - a true example of yin and yang!  I use authentic Japanese and Chinese brushes, ink, paints and rice paper, and I adhere to traditional techniques of the art passed down through the centuries.  In Asian art of this style, a “taste of ink”, the black ink, is very important in the composition.  My brush is loaded with either several tones of ink or multiple colors and ink, and then is applied to the rice paper - each stroke reflecting the combination that was loaded on the brush.  This method is the foundation for the simplicity and balance that is unique to Asian composition styles reflecting the beauty of nature.   I hope that others are inspired to maintain these ancient techniques when I occasionally teach.

The red chop, or seal, appears on my artwork.  Chops are usually carved in stone, but can be metal or other hard material.  The chop itself is a work of art, and some are very detailed and elegant.  In Imperial China and Japan, the artists worked for the emperor, thus the emperor’s chop was applied to paintings to show ownership.  In contemporary times the chop is the artist’s own signature.  It is usually the artist’s name or a meaningful phrase.   

I hope that my artwork reflects the skill of my teachers, my appreciation for their efforts on my behalf, and provides each of you enjoyment and beauty.

Shows

• TBA
• TBA

Other locations where Karen Fullerton's art can be viewed/purchased:
Portland Japanese Garden
Mingei International Museum, Balboa Park, San Diego
Gifts and Decor, Portland
Various art shows, Oregon, California